Loaded: 1009 times, reader ratings:.3. Read full description of the books: A series of provocative discussions on everything from individual authors to contemporary religious thinking, Against Interpretation and Other Essays is the definitive collection of Susan Sontag's best known and important works published in Penguin Modern Classics. Against Interpretation was Susan Sontag's first collection of essays and made her name as one of the most incisive thinkers of our time. Sontag was among the first critics to write about the intersection between 'high' and 'low' art forms, and to give them equal value as valid topics, shown here in her epoch-making pieces 'notes on Camp' and 'Against Interpretation'. Here too are impassioned discussions of Sartre, camus, simone weil, godard, beckett, lévi-strauss, science-fiction movies, psychoanalysis and contemporary religious thought. Originally published in 1966, this collection has never gone out of print and has been a major influence on generations of readers, and the field of cultural criticism, ever since.
Susan, sontag : Against Interpretation?
She has come to symbolize the writer and thinker in many variations: as analyst, rhapsodist, and roving eye, as public scold and portable conscience. time, about the author, susan, sontag wrote four novels, The benefactor, death Kit, The volcano lover, and, in America, which won the 2000 National book award for fiction; a collection of stories, i, etcetera; several plays, including. Alice in Bed ; and eight books of essays, among them. On Photography, which won the national book critics Circle Award for criticism. Her books have been translated into thirty-two languages. In 2001, she won the jerusalem Prize for the body of her work. She died in New York city in 2004). Book title: Against Interpretation and Other Essays, isbn: no data, isbn 13: no data. Language: English, the author of the book: Susan Sontag, edition: Farrar, Straus self and Giroux, date of issue: October 1st 2013. Format files: pdf, the size of the:.81 mb, city - country: no data.
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It is a means studential of revising, of trans valuing, of escaping the dead past. In other cultural contexts, it is reactionary, impertinent, cowardly, stiflingIn a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art. Books, politics and war, science and sports, memoir and biography — there's a great big world of nonfiction books out there just waiting to be read. We picked the 100 best and most influential written in English since 1923, the beginning of time. List Price: cdn.50, you save: cdn.82 (12 in Stock. Ships from and sold. Add to cart, flip to back Flip to front. Paused you're listening to a sample of the audible audio edition.
What this act of interpretation and translation basically does is to render the art indecipherable and alien to the audience. Sontag elucidated this point by giving the example of Greek mythology and the exodus. Deciphering the mythologies, asking what its true meaning is removes the myth from its historical and cultural context where it was born, where it held meaning in its natural environment. Separated from its original space to which it was integrally linked, the myth loses its true meaning. She states that, The modern style of interpretation excavates, and as it excavates, destroys; it digs behind the text, to find a sub-text which is the true one. Sontag goes further as to show that the most influential thinkers of modern times, namely marx and Freud is no better than mere translators and interpreters. And about this interpretation she states that, in some cultural contexts, interpretation is a liberating act.
Essays : Susan, sontag
And in her final line: In place of a hermeneutics we need an erotics of art. I hope you enjoy sontag s Against Interpretation as much as I do, and, as always, i am very interested to hear your thoughts. Kaufman i s Professor of Philosophy at Missouri State University, and his main areas of interest are aesthetics, epistemology, metaphysics, and the indira philosophy of language). Whether we conceive of the work of art on the model of a picture (art as a picture of reality) or sports on the model of a statement (art as the statement of the artist content still comes first. The content may have changed. It may now be less figurative, less lucidly realistic.
But it is still assumed that a work of art is its content. The art, whether it is a short story, a novel, poem, a play, painting or cinema is deciphered on the basis of its content. The question that the work of art faces is what is its content? What does the content say about it or what is a particular piece of art really about? Once the content is identified it is put through the test of what it really means. What all this boils down to is the burden of defending art. This mechanism of creation of meaning by the act of interpreting art (which in itself is basically an act of translation) in effect destroys the true meaning of art.
But when we treat the work of art as the bearer of all sorts of hidden and not so hidden meanings, it becomes an object of literary or some other variety of interpretation, and this raises it up to the level of intellectual investigation. Interpretation need not necessarily be a bad way of engaging with literary texts and other artworks, especially in those circumstances in which literature and the arts have been co-opted into propaganda of one kind or another, such that a simple experiential engagement with them. But in the hyper-industrial, hyper-technological world of late 20th and early 21st century America, the interpretive impulse is almost unequivocally bad, according. Not just because by insisting on the interpretation of works of art, we reinforce the hypertrophy of the intellect, characteristic of a science-dominated society like ours, but because we rob ourselves of a much-needed source of experiential stimulation. . For one of the other features of our science-dominated and industrial world is mass consumption and the inevitable overstimulation that comes with it; an overstimulation that actually diminishes our ability to experience and feel. .
As Sontag says, near the end of Against Interpretation : Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modem life-its material plenitude, its forms of narration. Perhaps film criticism will be the occasion of a breakthrough here, since films are primarily a visual form, yet they are also a subdivision of literature. 10 sheer crowdedness-conjoin to dull our sensory faculties. And it is in the light of the condition of our senses, our capacities (rather than those of another age that the task of the critic must be assessed. What is important now is to recover our senses. We must learn to see more, to hear more, to feel more. Our task is not to find the maximum amount of content in a work of art, much less to squeeze more content out of the work than is already there. Our task is to cut back content so that we can see the thing at all.
Htmlgiant / 25 points: Susan, sontag s, against Interpretation
The Stoics, for example, interpreted away all of the bawdy and monstrous features of the Greek gods, as described in aide the homeric myths and Greek theater, so as to render them suitable for the somewhat rigorous Stoic morality, and similarly and for similar reasons rabbinical. What counts as unacceptable and what sorts of interpretations are employed as remedies will vary. . In our own era, sontag maintains that what has become unacceptable is that anything should fail to be an object of intellectual interest and investigation. . She blames this, to a large degree, on the extent to which the scientific view of the world and of the human experience of it dominates all others and especially the sensual and experiential. . Not only has it guaranteed that the human intellect and human intellection are the characteristics and activities we take as most distinctive of us and hold in the highest esteem, but it has literally produced a world that is at every level intertwined with the. Art is put in a position, then, of being in need of defense,. to take the work of art as simply something to be experienced, something to stimulate us, in various ways, is to render it unimportant and superficial, for it is to suggest that art operates on us at the least important levels of our nature. .
(New York: Farrar, Straus giroux, 1966). The kind of interpretation that, sontag is against is not the common, largely unconscious variety that is always going on, in every engagement that we have with the world, but rather the sort that comes, consciously, from a specific theoretical orientation. . Of course, i dont mean interpretation in the broadest sense, the sense in which nietzsche (rightly) says, There are no facts, only interpretations, sontag writes. . by interpretation, i mean here a conscious act of the mind which illustrates a certain code, certain rules of interpretation. Sontag maintains that interpretation in this vein historically has involved an effort to take something that is in some way unacceptable, yet too important to discard, and render it acceptable by turning it into something else.
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Against, interpretation was, susan, sontags first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the famous essays Notes on Camp and. Against, interpretation, as well as her impassioned discussions of Sartre, camus, simone weil, godard, beckett, levi-strauss, sceince-fiction movies, psychoanalysis, and contemporary religious thought. This essay edition has a new afterword, Thirty years Later, in which. Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference. This is a selection from Sontags early critical writings, including discussions on such figures as Sarte, levi-strauss, beckett, Antonioni, and Godard. See more interesting books: Woman in the dark, pdf, the Charleston Academy of Domestic Pursuits: a handbook of Etiquette with Recipes.